Transparency and Mediality

Abstract

Transparency and Mediality. – In the beginning of the 20th Century painting gets to the stage gets where it was capable of displaying a pure relationship. It is understood in an aesthetic context: that such a relationship, which derives its claim to univerzal testimony. To distinguish excess imaging, which is for a long time without any relation to the unchanging. This would suggest that only in a reality where beauty monitors the movement of its own truth and shows reality without limitation of invisible we can get to the beauty of the universe, a reality which makes vision visible.